Wes Anderson’s Roald Dahl Quartet Abounds in Audacious Artifice and Stinging Political Critique
Save this storySave this storySave this storySave this story Wes Anderson’s new quartet of films, based on stories by Roald Dahl, which dropped on Netflix last week, may be brief—three are seventeen-minutes long, one runs thirty-nine—but there’s nothing minor about…