Save this storySave this storySave this storySave this story Watch “Eternal Father.” The New Yorker Documentary View the latest or submit your own film. Nasar Ghafoor looks healthy and vibrant, but he has mortality on his mind. Ghafoor started a…
Save this storySave this storySave this storySave this story Vanessa Redgrave once compared Jesse Eisenberg to the poet Percy Bysshe Shelley, because of his “inquiring mind.” Seventeen minutes into my recent lunch with Eisenberg, in Chelsea, I had yet to…
Save this storySave this storySave this storySave this storyYou’re reading the Food Scene newsletter, Helen Rosner’s guide to what, where, and how to eat. Sign up to receive it in your in-box. On the corner of Thirty-first Street and Sixth…
Save this storySave this storySave this storySave this story The earliest iteration of Soccer Mommy emerged out of a bedroom in the summer of 2015, with a handful of lo-fi, home-recorded songs posted to Bandcamp. The songs were sparse and…
Save this storySave this storySave this storySave this story Baseball culminates every year in the sinking light of autumn evenings, crisp weather that excites the heart and offers clarity on the latest long season. This has been a signal year…
Save this storySave this storySave this storySave this story This past July, Sinna Nasseri was commissioned by The New Yorker to photograph the Republican National Convention, in Milwaukee. It was the sort of assignment he had undertaken before—in the past…
Save this storySave this storySave this storySave this story A reformist Pope who boldly leads the Catholic Church into controversial changes should be played by an actor of commanding presence. In “Conclave,” there is such a Pope—he’s seen early in…
Save this storySave this storySave this storySave this story Brian SeibertSeibert has covered dance for Goings On since 2002. You’re reading the Goings On newsletter, a guide to what we’re watching, listening to, and doing this week. Sign up to…
Save this storySave this storySave this storySave this story The brutalist Royal National Theatre building, which sits aggressively on the south side of the River Thames, in London, is a “love it or loudly despise it” kind of place—all concrete…
Save this storySave this storySave this storySave this story Watch “The Medallion.” The New Yorker Documentary View the latest or submit your own film. “I often find a lot of documentaries and films, especially pertaining to war and/or Africa, to…