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The Operatic Drama of “Maria” Misses Its Cue

The Operatic Drama of “Maria” Misses Its Cue

Save this storySave this storySave this storySave this story Pablo Larraín’s new film “Maria,” the third in his trilogy of grandes-dames bio-pics (following “Jackie” and “Spencer”), is the best of the three for a simple reason: its protagonist, Maria Callas,…