Save this storySave this storySave this storySave this story The vast spectrum of streaming platforms is like so many libraries: countless treasures line the shelves but little attention is paid to them. One of the virtues of the Criterion Channel,…
Save this storySave this storySave this storySave this story He poured the paint in layers and combed through it with an Afro pick. Or he froze and shattered it, reassembling the shards into new wholes. Like an alchemist, he altered…
Save this storySave this storySave this storySave this story Watch Daniel Lombroso’s “Hold the Line.” In a few weeks, members of Southern Baptist churches from across the country will convene in Dallas for their annual convention. These gatherings, which attract…
Save this storySave this storySave this storySave this story In Chicago, people are very excited about Pope Leo XIV, or Father Bob, as those who’ve known Robert Francis Prevost a long time reflexively call him. It’s titillating to imagine Pope…
Save this storySave this storySave this storySave this story When “It Was Just an Accident,” a new movie from the Iranian director Jafar Panahi, won the Palme d’Or at the Cannes Film Festival, on Saturday, Panahi responded in a way…
Save this storySave this storySave this storySave this story For the cover of the June 2, 2025, issue, the artist Kadir Nelson features Marshall W. (Major) Taylor leading a parade of bicyclists from eras past and present. “I wanted to…
Save this storySave this storySave this storySave this storyYou’re reading the Food Scene newsletter, Helen Rosner’s guide to what, where, and how to eat. Sign up to receive it in your inbox. Helen, Help Me!E-mail your questions about dining, eating,…
Save this storySave this storySave this storySave this story Nathan Fielder, like Andy Kaufman before him, makes performance-art comedy that does not only poke fun at the world but experimentally perturbs it, and he plies this trade in the buffer…
Save this storySave this storySave this storySave this story When the competition program of the seventy-eighth Cannes Film Festival was announced several weeks ago, I wasn’t alone in predicting that the Iranian director Jafar Panahi would win the Palme d’Or,…
Save this storySave this storySave this storySave this story “The New Art: American Photography, 1839–1910,” at the Metropolitan Museum of Art through July 20th, is a big, sprawling show of work from the medium’s era of busy development, as one…