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If Peace Were a Prize

Save this storySave this storySave this storySave this story To begin, let me tell you a story. There were once two jackals: Karataka, whose name meant “cautious,” and Damanaka, whose name meant “daring.” They were in the second rank of…

When Hollywood Was Hip and How It Got That Way

Save this storySave this storySave this storySave this story One major virtue of the film historian Foster Hirsch’s teeming new book, “Hollywood and the Movies of the Fifties,” is to bring the output of this extraordinary decade back into the…

Jorge Colombo’s “Astor Place”

Save this storySave this storySave this storySave this story In a city as densely constructed as New York, open plazas and courtyards create havens of space—places to gather, to people-watch. And some public art works, like Tony Rosenthal’s “Alamo,” anchor…

Goings On: Sampha’s Ornate Neo-Soul

Save this storySave this storySave this storySave this story Alex BaraschCulture editor You’re reading the Goings On newsletter, a guide to what we’re watching, listening to, and doing this week. Sign up to receive it in your in-box. Since Stephen…

Killer Carbonara, Straight from the Source

Save this storySave this storySave this storySave this storyYou’re reading the Food Scene newsletter, Helen Rosner’s guide to what, where, and how to eat. Sign up to receive it in your in-box. If you’ve ever been a tourist in Rome,…

Jeanette Winterson Has No Idea What Happens Next

Save this storySave this storySave this storySave this story Jeanette Winterson burst onto the literary scene in 1985 with the publication of her début novel, “Oranges Are Not the Only Fruit,” a fictional “retelling” of her childhood in a working-class…

My Grandmother and the Canine Detective

Save this storySave this storySave this storySave this story My grandmother, who is ninety-two, has moved three times in her life. She was born in a small town in the province of Shandong, China, and, when she was twenty-three, she…

“Death of a Salesman” Reborn, This Time in Mandarin

Save this storySave this storySave this storySave this story In March, 1983, Arthur Miller arrived in Beijing to direct a Chinese staging of “Death of a Salesman” at the Beijing People’s Art Theatre. Opening night was six weeks away and…