Save this storySave this storySave this storySave this story In early 2019, I travelled to Afghanistan to investigate the deaths of my mother and sister three decades earlier—a personal search for answers. While seeking out distant relatives in a remote…
Save this storySave this storySave this storySave this story In a year of impressive débuts, the first feature by the writer and director Raven Jackson, “All Dirt Roads Taste of Salt,” which opens Friday, is the best so far. It’s…
Save this storySave this storySave this storySave this story Fiction Studios, a recording venue in Farringdon, central London, is a study in scrupulous unkemptness. At first glance, it looks like the kind of secondhand bookshop you don’t see anymore—shelves overflowing…
Save this storySave this storySave this storySave this story When Robert Brustein died, at ninety-six, he concluded not one but four stunning careers. A critic at The New Republic, off and on, for more than forty years, he was a…
Save this storySave this storySave this storySave this story When Robert Brustein died, at ninety-six, he concluded not one but four stunning careers. A critic at The New Republic, off and on, for more than forty years, he was a…
Save this storySave this storySave this storySave this story “I think for both blind children and seeing children, imagination and fantasy are important in constructing play worlds,” Philipp Schaeffer said. “What is striking is how different these play worlds look…
Save this storySave this storySave this storySave this story Turning toward the past is value-neutral. I’m apt to use the word “nostalgia” pejoratively, but the wish to turn back the hands of time is no worse than any other; with…
Save this storySave this storySave this storySave this story To begin, let me tell you a story. There were once two jackals: Karataka, whose name meant “cautious,” and Damanaka, whose name meant “daring.” They were in the second rank of…
Save this storySave this storySave this storySave this story One major virtue of the film historian Foster Hirsch’s teeming new book, “Hollywood and the Movies of the Fifties,” is to bring the output of this extraordinary decade back into the…
Save this storySave this storySave this storySave this story In a city as densely constructed as New York, open plazas and courtyards create havens of space—places to gather, to people-watch. And some public art works, like Tony Rosenthal’s “Alamo,” anchor…
