LUX, Rosalía’s new world tour, has already established itself as one of the most high-profile musical performances of the year. Starting in Europe, it covers key cities from Paris and Lyon to London, Madrid and Barcelona, and will later continue in North and South America. On stage, the singer changes look after look, turning each appearance into a separate story – from balletic fragility to almost theatrical drama. Several designers worked on her stage wardrobe, forming a coherent fashion narrative that combines movement, light and emotion. We analyze Rosalía’s most striking looks, which already define the visual code of this tour.
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Among the key looks are the costumes by Ann Demeulemeester, created by Stefano Gallici in close collaboration with the artist. They became the basis of the stage drama: multi-layered, transformative and thought out down to the smallest details, these looks change with the movement and rhythm of the show. In particular, during the performance of Porcelana, the singer appears in a white bodysuit, complemented by a multi-layered tutu and pink satin pointe shoes. According to Gallici, this ballet look is inspired by the works of Edgar Degas, who conveyed the refined grace of dancers in his paintings. The second look introduces more structure and historical allusions: a Napoleonic-style jacket with an elongated silhouette and decorative elements of lace and ruffles is combined with voluminous trousers.
The finale turns into a real stage performance. A multi-layered chiffon dress with adjustable slits and a dramatic 15-meter train keeps its shape thanks to a specially designed crinoline. The look is complemented by high satin boots and spectacular accessories – tulle and feather “wings” along with a headdress, which enhances the feeling of theatrical unreality.
For a series of songs during the concert, Rosalía chooses a spectacular black knit dress by Peruvian designer Fernanda Castro. She combines the short silhouette with a pink bralette, an asymmetrical tulle skirt and knee-high leather boots. Castro is a graduate of the Italian fashion school Polimoda, but her provocative designs have already appeared in the wardrobes of artists such as Charli XCX, ADÉLA, and now Rosalía.
The singer performs the song Magnolias in a lace look from the Parisian atelier Les Fleurs. Designer Maria Bernard works with vintage European fabrics from the 19th and 20th centuries – in this case, she used lace from the 1940s, creating a long cape that touches the floor.
During the performance of La Rumba del Perdón, Rosalía appears in a spectacular headdress created by the Seville-based brand Vivascarrion. Millineries Felipe Vivas and Manuel Carrion were inspired by the “extravagant hairstyles of 15th-century court ladies” to create a headdress that resembles a halo.